Slow It Down: accordi di
Amy Macdonald (Versione ufficiale)

2012Pop591 visualizzazioni

Tonalità: D majorDifficoltà: Intermedio

Intro 1

D

F#m

Bm

G

D

F#m

Bm

G

Verse 1
D D 
 
F#m F#m 
 
Bm Bm 
 
G G 
 
I never knew  you before
D D 
 
I've been walking around
F#m F#m 
 
Bm Bm 
 
G G 
 
with my eyes  on the floor
D D 
 
F#m F#m 
 
But now you're everywhere to me
Bm Bm 
 
G G 
 
You're every face that I see
D D 
 
F#m F#m 
 
Things ain't moving quick enough
Bm Bm 
 
G G 
 
for me

Chorus 1
D D 
 
I guess I've been running round town
F#m F#m 
 
Bm Bm 
 
Leaving my tracks, burning out rubber
G G 
 
Driving too fast
D D 
 
F#m F#m 
 
Bm Bm 
 
G6 G6 
 
but I've gotta slow  right down
D D 
 
F#m F#m 
 
Back to the moment, the very  start,
Bm7 Bm7 
 
Gadd9 Gadd9 
 
from the very  first day you had      my heart
D D 
 
F#m F#m 
 
Bm7 Bm7 
 
Gadd9 Gadd9 
 
But I've gotta slow  right down

Interlude 1

D

F#m

Slow it down, down, down

Bm

G

Down, down

D

F#m

Down, down

Bm

G

Down, down

Verse 2
D D 
 
F#m F#m 
 
Wishing, wanting for something more
Bm Bm 
 
G G 
 
Always better than I had before
D D 
 
F#m F#m 
 
Who knew these dreams
Bm Bm 
 
G G 
 
would come true?
D D 
 
F#m F#m 
 
And I run the red won't stop  at night
Bm Bm 
 
G G 
 
I   don't care for traffic lights
D D 
 
Things ain't moving
F#m F#m 
 
Bm Bm 
 
G G 
 
quick enough for me

Chorus 2
D D 
 
I guess I've been running round town
F#m F#m 
 
Bm Bm 
 
Leaving my tracks, burning out rubber
G G 
 
Driving too fast
D D 
 
F#m F#m 
 
Bm Bm 
 
G6 G6 
 
but I've gotta slow  right down
D D 
 
F#m F#m 
 
Back to the moment, the very  start,
Bm7 Bm7 
 
Gadd9 Gadd9 
 
from the very  first day you had      my heart
D D 
 
F#m F#m 
 
Bm7 Bm7 
 
Gadd9 Gadd9 
 
But I've gotta slow  right down

Interlude 2
D D 
 
F#m F#m 
 
Slow it down, down, down
Bm Bm 
 
G G 
 
Down, down
D D 
 
F#m F#m 
 
Down, down
Bm Bm 
 
G G 
 
Down, down
D D 
 
F#m F#m 
 
Down, down
Bm Bm 
 
G G 
 
Down, down
D D 
 
F#m F#m 
 
Down, down
Bm Bm 
 
G G 
 
Down, down

Chorus 3
D D 
 
I guess I've been running round town
F#m F#m 
 
Bm7 Bm7 
 
Leaving my tracks, burning out rubber
Gadd9 Gadd9 
 
Driving  too fast
D D 
 
F#m F#m 
 
Bm7 Bm7 
 
Gadd9 Gadd9 
 
but I've gotta slow  right down
D D 
 
F#m F#m 
 
Back to the moment, the very  start,
Bm7 Bm7 
 
Gadd9 Gadd9 
 
from the very  first day you had      my heart
D D 
 
F#m F#m 
 
Bm7 Bm7 
 
Gadd9 Gadd9 
 
But I've gotta slow  right down

Chorus 4
D D 
 
I guess I've been running round town
F#m F#m 
 
Bm7 Bm7 
 
Leaving my tracks, burning out rubber
Gadd9 Gadd9 
 
Driving  too fast
D D 
 
F#m F#m 
 
Bm7 Bm7 
 
Gadd9 Gadd9 
 
but I've gotta slow  right down
D D 
 
F#m F#m 
 
Back to the moment, the very  start,
Bm7 Bm7 
 
Gadd9 Gadd9 
 
from the very  first day you had      my heart
D D 
 
F#m F#m 
 
Bm7 Bm7 
 
Gadd9 Gadd9 
 
But I've gotta slow  right down

Outro 1
D D 
 
F#m F#m 
 
Slow it down, down, down
Bm Bm 
 
G G 
 
Down, down
D D 
 
F#m F#m 
 
Down, down
Bm Bm 
 
G G 
 
Down, down
[Repeat and fade]

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AccordatoreE A D G B E

AccordiD F#m Bm G G6...

Accordi

D
F#m
Bm
G
G6
Bm7
Gadd9

Posizioni delle dita, dalla corda bassa alla alta (E A D G B e). 0 è a vuoto, x è smorzata.

D: x-x-0-2-3-2
F#m: 2-4-4-2-2-2
Bm: x-2-4-4-3-x
G: 3-2-0-0-0-3
G6: 3-2-0-0-0-0
Bm7: x-2-4-2-3-x
Gadd9: 3-x-0-2-0-3

Capotasto: Senza capotasto

Trasponi: 0

0

Trascritta con precisione dal team di GuitarTuna.

Gli accordi con il barrè richiedono molto alla mano che preme i tasti. Il corso sul barrè illustra la posizione della mano, la pressione e il modo più pulito per eseguire ogni forma. Esercitati con gli accordi con il barrè

Le settime minori, come sensazione, stanno tra il minore e il maggiore. Il corso copre le posizioni e i brani in cui compaiono più spesso. Impara gli accordi di settima minore

Questa è la versione originale definitiva di Slow It Down di Amy Macdonald, trascritta esattamente come è stata registrata in studio. A differenza del nostro arrangiamento semplificato, questo spartito preserva le precise posizioni e progressioni degli accordi nella tonalità originale di D major. È pensato per chitarristi pronti ad andare oltre le basi e a cogliere il vero feel dell’esecuzione di Amy Macdonald.

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