Sally Baker's (Low Tar) Dream: accordi di
Mark Germino

N/A

Tonalità: D major

Intro 1
D D 
 
G G 
 
Asus4 Asus4 
 
D D 
 
G G 
 
Asus4 Asus4 
 
D D 
 
G G 
 
Asus4 Asus4 
 
D D 
 
G G 
 
D D 
 
Asus4 Asus4 
 
A A 
 
Old

Verse 1
D D 
 
Bm Bm 
 
G G 
 
Madame Morris and Warwick blue
A A 
 
D D 
 
On a Saturday night,
Bm Bm 
 
G G 
 
got nothing on you
A A 
 
D D 
 
And if the sentiment's ugly,
Bm Bm 
 
G G 
 
well, you know,
A A 
 
D D 
 
G G 
 
tomorrow comes soon
Asus4 Asus4 
 
D D 
 
You      go window shopping
Bm Bm 
 
G G 
 
with a switchblade knife
A A 
 
D D 
 
Bm Bm 
 
While your sunburned tongue
G G 
 
never sees any light
A A 
 
D D 
 
Bm Bm 
 
Suspended in time,
G G 
 
A A 
 
D D 
 
G G 
 
your heart sweeps up like a broom
D D 
 
G G 
 
And  the silver vodka
D D 
 
that stains your lips
G G 
 
D D 
 
Swallows you whole as your finger tips
G G 
 
Reach for the sky like you
A A 
 
were another Moses
G G 
 
Oh, tell me just once
D D 
 
why you're bitter and cold
G G 
 
Who's the person at large
D D 
 
who by now has grown old
G G 
 
D D 
 
Em Em 
 
That took you for somebody else
D D 
 
And then crushed all your
G G 
 
Asus4 Asus4 
 
D D 
 
roses
G G 
 
Asus4 Asus4 
 
A A 
 
D D 
 
Bm Bm 
 
You      know levels and tiers
G G 
 
A A 
 
of war and indignation
D D 
 
Compete for your mind
Bm Bm 
 
G G 
 
and roll dice for your station
A A 
 
D D 
 
And this world is as
Bm Bm 
 
G G 
 
if someone has told them
A A 
 
D D 
 
That this girl is finished
Bm Bm 
 
G G 
 
Asus4 Asus4 
 
While those
D D 
 
Bm Bm 
 
sugar -fed gangsters
G G 
 
A A 
 
that you call your friends
D D 
 
Bm Bm 
 
Would just as soon shape you into something
G G 
 
A A 
 
D D 
 
Bm Bm 
 
G G 
 
As to let you control your own life
A A 
 
D D 
 
Bm Bm 
 
G G 
 
for a lousy percentage
Asus4 Asus4 
 
G G 
 
And      the wide -angle lens
D D 
 
that captures your secrets
G G 
 
D D 
 
Also exposes your beau
ty more frequently
G G 
 
Than anyone's modern
A A 
 
spoon -fed explanation
G G 
 
Oh, but tell me just once
D D 
 
why you're angry and cold
G G 
 
D D 
 
Who's a slave in your past
who by now has been sold
G G 
 
D D 
 
Em Em 
 
That took you to the ballroom dance
G G 
 
D D 
 
Just to crush your carnation

Interlude 1
C C 
 
Bm Bm 
 
Asus4 Asus4 
 
G G 
 
Em Em 
 
C C 
 
Bm Bm 
 
Asus4 Asus4 
 
A A 
 
G G 
 
Em Em 
 
D D 
 
G G 
 
Asus4 Asus4 
 
D D 
 
G G 
 
Asus4 Asus4 
 
A A 
 
Hi,      your

Verse 2
D D 
 
job is a drag like
G G 
 
A A 
 
everyone else's
D D 
 
You're a southern woman
Bm Bm 
 
G G 
 
A A 
 
D D 
 
Bm Bm 
 
who shudders and bounces at the thought of coming
G G 
 
A A 
 
D D 
 
Bm Bm 
 
G G 
 
Asus4 Asus4 
 
in style as a token hillbilly
A A 
 
D D 
 
Bm Bm 
 
Your boss is ridiculously try
G G 
 
A A 
 
ing to haunt you
D D 
 
Bm Bm 
 
upsetting his basic need
G G 
 
A A 
 
just to scold you
D D 
 
Bm Bm 
 
Don't you know you're allowed to go
G G 
 
A A 
 
D D 
 
G G 
 
tell him to screw himself silly
Asus4 Asus4 
 
D D 
 
G G 
 
And      your modest invention
D D 
 
to feel defensive
G G 
 
Getting attention but the
D D 
 
cost is expensive
G G 
 
It's ap parently time you'll
A A 
 
only grow migraine colder
G G 
 
Oh, pretend that your memory
D D 
 
is a memory that's dreadful
G G 
 
Composed in a way that
D D 
 
is never forgetful
G G 
 
D D 
 
Em Em 
 
Quit carrying the weight of the world
D D 
 
G G 
 
Asus4 Asus4 
 
On your tender shoulder
D D 
 
Bm Bm 
 
G G 
 
Asus4 Asus4 
 
D D 
 
G G 
 
Asus4 Asus4 
 
D D 
 
G G 
 
D D 
 
An d        that's Sally Baker's Motel Room.
G G 
 
D D 
 
A A 
 
D D 
 
G G 
 
A A 
 
D D 
 
A A 
 
G G 
 
A A 
 
D D 
 
G G 
 
A A 
 
D D 
 
G G 
 
A A 
 
D D 
 
G G 
 
A A 
 
You

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