Nina: accordi di
Peter Pringle
Peter Pringle
Stampa

N/A1 visualizzazioni
Tonalità: Bb major
Intro 1
D
D

Bb
Bb

D
D

Gm
Gm

G
G

A
A

D
D

Em
Em

G
G

A
A

D
D

Verse 1
D
D

Señorita Nina from Argentina,
all the answers
F#m
F#m

Though all her relatives and friends
A
A

were perfect dancers
She swore she'd never dance
D
D

a step until she died
F#m
F#m

D
D

She said, I've seen too many movies
and all they prove is too idiotic
F#m
F#m

They all insisted that South
A
A

America was exotic,
whereas it couldn't be more
D
D

boring if it tried.
Cdim
Cdim

B
B

F#
F#

E
E

She added firmly that she hated
the sound of soft guitars
F#m
F#m

B
B

beside a still moon.
D
D

G
G

And then she positively stated
F#
F#

that she could not abide a southern moon.
B
B

She said, I hate to be pedantic,
but I'm driven nearly frantic
A
A

G
G

when I see that unromantic,
F#
F#

sycophantic lot of sluts.
A
A

F#
F#

Forever wriggling their guts
A
A

F#m
F#m

F#
F#

Drives me absolutely nut s
G
G

F#
F#

D
D

She refused to
Daug
Daug

D
D

begin the begin
Daug
Daug

D
D

Daug
Daug

When they requested it
D
D

A
A

D
D

An d she made an
Daug
Daug

embarrassing scene
D
D

C
C

If anyone suggested it
B
B

C
C

B
B

E
E

A
A

For she detested it
D
D

Senorita Nina, from Argentina,
despised the tango
F#m
F#m

Although she never was
A
A

a girl to let a man go
She wouldn't sacrifice her
D
D

principals for sex
A
A

D
D

She'd look with scorn on the gyrations
of her relations
who danced the conga
F#m
F#m

And swore that if she had
A
A

to stand it any longer
She'd lose all dignity and
D
D

wring their silly
B
B

F#m
F#m

E
E

She said that, frankly, she was blinded
to all their over -advertised
F#m
F#m

B
B

ro mantic charms.
D
D

G
G

And then she got more bloody -minded
and told them where to put
Bm
Bm

G
G

F#
F#

Gm
Gm

their tropic palms.
F#
F#

She said with most refresh
F#m
F#m

Bm
Bm

ing candour
B
B

that she thought Carmen Miranda
A
A

was subversive propaganda
G
G

F#m
F#m

F#
F#

and should rapidly be shot.
A
A

F#
F#

And that she didn't care a jot
A
A

F#
F#

G
G

F#
F#

if people quoted her or not.
D
D

Daug
Daug

She declined to begin the begin,
D
D

Daug
Daug

D
D

Daug
Daug

though they besought her to.
D
D

A
A

D
D

An d with language pro
Daug
Daug

D
D

fane and obscene,
C
C

she cursed the man who taught her to.
B
B

C
C

B
B

E
E

She cursed Cole Porter to.
A
A

From this it's fairly clear
D
D

that Nina, in her demeanour,
was so offensive,
F#m
F#m

That when the hatred of her friends
A
A

grew too in tensive
She thought she'd better beat it
D
D

while she had the chance
Gm
Gm

D
D

After some trial and tribulation
She reached a station and met a sailor
F#m
F#m

Who had acquired a
A
A

wooden leg in Venezuela
And so she married him
D
D

because he couldn't dance
F#m
F#m

D
D

There surely never could
Gm
Gm

have been a
C
C

F
F

More irritating girl than Nina
D
D

Gm
Gm

They never speak in Argentina
A
A

Of this degenerate Pampina
A
A

Who had the luck to find romance
Gm
Gm

Gm
Gm

Then resolutely would
D
D

Bb
Bb

D
D

Bb
Bb

n't dance
She wouldn't dance, oh no!

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