Glory: accordi di
Bastille (Versione ufficiale)

2016Alternativa341 visualizzazioni

Tonalità: Eb minorDifficoltà: Avanzato

Intro 1

Eb

Fm

Db

Ab

Ebsus4

Fm

Db

Ab

Ebsus4

Verse 1
Fm Fm 
 
Db Db 
 
Deep in a corner of the night
Ab Ab 
 
Ebsus4 Ebsus4 
 
We were lying in the middle of the road
Fm Fm 
 
Db Db 
 
Counting the planes as they flew by
Ab Ab 
 
Ebsus4 Ebsus4 
 
Inconceivable imagining them go
Fm Fm 
 
Db Db 
 
And drunk we set the world to rights
Ab Ab 
 
Ebsus4 Ebsus4 
 
As we fell and hit our heads upon the       curb
Fm Fm 
 
Db Db 
 
You make me laugh until I die
Ab Ab 
 
Ebsus4 Ebsus4 
 
Can you think of any better way to        choke?

Pre-chorus 1

Db

Fm

Stories told to me

Eb

Ab

And stories told to you

Db

Fm

Did you ever feel

Eb

Like they were ringing true?

Chorus 1
Db Db 
 
And all their words for glory
Eb Eb 
 
Fm Fm 
 
Well they always sounded empty
Eb/G Eb/G 
 
Ab Ab 
 
When   we're looking up for heaven
Ebsus4 Ebsus4 
 
Eb Eb 
 
Looking   up for heaven
Db Db 
 
Eb Eb 
 
Way down here upon the ground
Fm Fm 
 
When we're lying in the dirt
Eb/G Eb/G 
 
Ab Ab 
 
There's no looking up for heaven
Ebsus4 Ebsus4 
 
Eb Eb 
 
Looking   up for heaven

Interlude 1

Fm

Db

Ab

Ebsus4

Verse 2
Fm Fm 
 
Db Db 
 
Not everything had gone to plan
Ab Ab 
 
But we made the best of what we had,
Ebsus4 Ebsus4 
 
you know?
Fm Fm 
 
Db Db 
 
Passing the drink from hand to hand
Ab Ab 
 
Ebsus4 Ebsus4 
 
We admit we  really know nothing at        all

Pre-chorus 2

Db

Fm

Stories told to me

Eb

Ab

And stories told to you

Db

Fm

And was it feeling real?

Eb

Ab

And were they ringing true?

Chorus 2
Db Db 
 
And all their words for glory
Eb Eb 
 
Fm Fm 
 
Well they always sounded empty
Eb/G Eb/G 
 
Ab Ab 
 
When   we're looking up for heaven
Ebsus4 Ebsus4 
 
Eb Eb 
 
Looking   up for heaven
Db Db 
 
Eb Eb 
 
Way down here upon the ground
Fm Fm 
 
When we're lying in the dirt
Eb/G Eb/G 
 
Ab Ab 
 
There's no looking up for heaven
Ebsus4 Ebsus4 
 
Eb Eb 
 
Looking   up for heaven
Fm Fm 
 

Bridge 1
Db Db 
 
I'll take my chances on the curb
Fm Fm 
 
here with you
Eb Eb 
 
Cm7 Cm7 
 
We watched the planes leave us    behind
Db Db 
 
Fm Fm 
 
On the curb here with you
Eb Eb 
 
Cm7 Cm7 
 
We watched the planes leave us    behind and
Db Db 
 
Eb Eb 
 
And then you put your hand in mine
Fm Fm 
 
Eb/G Eb/G 
 
And pulled me back from things divine
Ab Ab 
 
Stop looking up for heaven
Ebsus4 Ebsus4 
 
Eb Eb 
 
Waiting to be buried

Chorus 3
Db Db 
 
And all their words for glory
Eb Eb 
 
Fm Fm 
 
Well they always sounded empty
Eb/G Eb/G 
 
Ab Ab 
 
When   we're looking up for heaven
Ebsus4 Ebsus4 
 
Eb Eb 
 
Looking   up for heaven
Db Db 
 
Eb Eb 
 
Way down here upon the ground
Fm Fm 
 
When we're lying in the dirt
Eb/G Eb/G 
 
Ab Ab 
 
There's no looking up for heaven
Ebsus4 Ebsus4 
 
Eb Eb 
 
Looking   up for heaven

Outro 1
Db Db 
 
Eb Eb 
 
Fm Fm 
 
Eb/G Eb/G 
 
Ab Ab 
 
Ebsus4 Ebsus4 
 
Eb Eb 
 
Db Db 
 
Eb Eb 
 
Fm Fm 
 
Eb/G Eb/G 
 
Ab Ab 
 
Ebsus4 Ebsus4 
 
Eb Eb 
 
Db Db 
 
Fm Fm 
 
Eb Eb 
 
Cm7 Cm7 
 
Db Db 
 
Fm Fm 
 
Eb Eb 
 
Cm7 Cm7

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AccordatoreE A D G B E

AccordiEb Fm Db Ab Ebsus4...

Accordi

Eb
Fm
Db
Ab
Ebsus4
Eb/G
Cm7

Posizioni delle dita, dalla corda bassa alla alta (E A D G B e). 0 è a vuoto, x è smorzata.

Eb: x-6-8-8-8-x
Fm: x-x-3-1-1-1
Db: x-4-6-6-6-x
Ab: 4-6-6-5-4-4
Ebsus4: x-6-8-8-9-x
Eb/G: x-x-5-3-4-3
Cm7: x-3-5-3-4-x

Capotasto: Senza capotasto

Trasponi: 2

2

Trascritta con precisione dal team di GuitarTuna.

Gli accordi con il barrè richiedono molto alla mano che preme i tasti. Il corso sul barrè illustra la posizione della mano, la pressione e il modo più pulito per eseguire ogni forma. Esercitati con gli accordi con il barrè

Le settime minori, come sensazione, stanno tra il minore e il maggiore. Il corso copre le posizioni e i brani in cui compaiono più spesso. Impara gli accordi di settima minore

Questa è la versione originale definitiva di Glory di Bastille, trascritta esattamente come è stata registrata in studio. A differenza del nostro arrangiamento semplificato, questo spartito preserva le precise posizioni e progressioni degli accordi nella tonalità originale di Eb minor. È pensato per i musicisti esperti che vogliono riprodurre appieno l’intento sonoro e l’espressione artistica di Bastille.

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